The Black Horse

The close framing isolates the horse’s head, transforming the sculpted form into a study of structure and restraint.
Every curve and fracture of the surface reveals traces of both strength and erosion, the coexistence of tension and stillness.
Detached from its original context, the figure no longer represents an animal but an abstract construction of movement, halted in stone.
The image invites observation not of subject, but of presence, a moment where craftsmanship, time and light converge in silence.