The White Horse

The image isolates the marble horse’s muzzle, where light erases the distinction between surface and form.
The whiteness of the material absorbs illumination, transforming volume into a soft continuum of tone and texture.
At such proximity, the anatomical reference dissolves, what remains is the study of precision and absence, a moment where sculpture approaches abstraction.
The photograph reveals not the subject itself, but the fragile threshold between matter and perception.