Skin of Time

The image isolates a marble hand, its fingers gently folding inward as if withdrawing from view.
In the absence of the full figure, the fragment acquires autonomy, a complete form within the incomplete.
The polished white surface reflects light with subtle variations, revealing both the precision of its carving and the erosion of time.
What remains is not gesture but structure: an equilibrium between fragility, permanence, and the quiet intelligence of form.